Although the Twelve Marie are most famously carried on the shoulders of young men at the beginning of Carnevale, I realized this year that they actually seem to spend even more time being rowed up and down the Grand Canal on some pretty chilly and damp days. Today, on the last day of Carnevale, after the young women selected as the Maria dell'Anno and Maria dei Veneziani (o Gazzettino) were officially presented in Campo San Giacomo dell'Orio (a venerable "tradition" which I suspect goes back all of about 3 years), they were rowed with other costumed members of the nobility--including even the Doge himself, as you'll see below--to Piazza San Marco for closing ceremonies. All of them the very images of fortitude through what seems for them to be an especially event-packed Carnevale season.
Tuesday, February 28, 2017
Corteo of the Twelve Marie, Today
Although the Twelve Marie are most famously carried on the shoulders of young men at the beginning of Carnevale, I realized this year that they actually seem to spend even more time being rowed up and down the Grand Canal on some pretty chilly and damp days. Today, on the last day of Carnevale, after the young women selected as the Maria dell'Anno and Maria dei Veneziani (o Gazzettino) were officially presented in Campo San Giacomo dell'Orio (a venerable "tradition" which I suspect goes back all of about 3 years), they were rowed with other costumed members of the nobility--including even the Doge himself, as you'll see below--to Piazza San Marco for closing ceremonies. All of them the very images of fortitude through what seems for them to be an especially event-packed Carnevale season.
Saturday, February 25, 2017
Carnevale's Fancy Dress, and Stench: Tonight
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| A pair of fancy dress revelers in Caffe Florian |
Before tonight's fancy dress balls some revelers gather at Caffè Florian, where the best-dressed of them are seated near the windows and never fail to draw crowds (myself among them)--our camera lenses, if not actual noses, pressed against the glass.
But though the finery on display among Florian's interior makes for some of the most picturesque scenes of Carnevale, it's hardly representative of the actual experience of Carnevale in Venice. Indeed, the center of the "action" tonight--and most nights of Carnevale, which, to be honest, can't end soon enough for most residents--is not at Piazza San Marco, but around the Rialto Market area.
There are no less than three different musical stages jammed into this small area; two of them quite literally side-by-side beneath the two pescheria structures.* As I type these words the ceaseless muddy beat of at least one of these stages fills the room in which I sit, easily penetrating the sound-proofing of the doubled pair of french doors, whose glass it rattles for the third straight night.
These festivities are supposed to start at 5 pm and end by 10 pm. They usually start earlier, and inevitably end later. It's nearly 11:30 pm now and there's no hint of a conclusion.
I seem to recall reading in prior years that the Arsenale was supposed to become the site of all the marvelous Carnevale events of this sort--the favorite events of what in Manhattan are called the "Bridge and Tunnel" crowd. That is, the young people who come from the mainland to get really drunk and trash the historic city.
But now that we live around the Rialto I find that this is the area which the city's authorities in all their wisdom have designated the central party zone. Perhaps because the same city authorities have so successfully pursued policies that drive residents out of the city they figure no one lives here anyway? Or is this their plan to drive out the last of us remaining residents?
In any case, as you can see below in the third image from the bottom, revelers come to the Rialto area, enjoy some "traditional dishes of the Venetian Carnevale" (french fries and hot dogs), then drink nearly to bursting in the vicinity of the Grand Canal. At which point they treat all of the area's small quaint ancient calli as toilets. Indeed, the whole area is turned into an open air outhouse.
No calle is safe from the assault, not even the narrow ones leading to our apartment, which usually seem so easily overlooked and out-of-the-way as to be safe from the worst degradations of mass tourism. But not in this case. A steady, er, stream of drunks staggers into these calli. Our nine-year-old son, Sandro, one of whose bedroom windows has a slightly distant view of one such calle, is so outraged by the behavior that he's been yelling out the window in his strongest Venetian-accented Italian at the trespassers (or trespissers, as the case may be).
And, in fact, much to his approval, an older woman who lives on the calle he can see from his window has been forced to come outside her door armed with a water hose--both to try to wash away the urine (and, alas, not only urine) already on the pavement and walls and to threaten any newly-arriving revelers looking to empty their bladder and/or bowels.
Luckily, the courtyard of our own building is protected by a locked gate--which I had naively thought to be a completely superfluous precaution before tonight.
So, even as I post images of the more picturesque aspects of Carnevale, it seems important to insert a bit of the reality of it.** At least the reality of it for residents, for many of whom Carnevale is yet another form of invasion, in which the historical city is quite literally pissed on--after being metaphorically served thus by those city officials whose fondest wish for Venice seems to be to turn it into Fort Lauderdale, Florida during spring break. They've certainly succeeded tonight. Except that I think Fort Lauderdale at least tries to provide enough public restrooms for the partiers it courts. While Venice consistently treats both visitors and residents alike with contempt.
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*There's an argument to be made that the well-being of the city depends on its officials figuring out how to get buying customers to the Rialto pescheria during the hours when it's open, instead of revelers to it after hours when it's closed. For as La Nuova di Venezia e Mestre reported at the end of September, the ongoing exodus of residents from the city and the dominance of a tourism monoculture has left the Rialto pescheria--"the heart of the city"--with an ever-diminishing customer base and resulted in a marked decrease in the number of fish stalls.
**The reality of living in Venice might also be of interest to those out-of-towners and foreigners whom city officials are quite content to have buy second and third homes here. A real estate agent I know who works for a large international agency here tells me that the home sales market is booming in Venice, with very nearly 100% of the purchases at their agency being made by foreigners, who are likely to use the property only sparingly themselves, and even more likely to use it as a tourist rental. At what point in the transmogrification of Venice into Fort Lauderdale do the property value of such second and third homes and tourist accomodations begin to be negatively affected? At what point in the transmogrification process do the high end properties start to go unsold? The assumption among city officials seems to be that they can abuse the historic center, the lagoon, visitors, residents, and property owners forever and suffer no ill economic effects.
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| A big Carnevale crowd waits to buy "traditional Venetian dishes" |
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| Fort Lauderdale? Cabo San Lucas? Venice? Carnevale? Halloween? New Year's Eve? Who can tell the difference? |
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| "Don't touch the Rialto" says the banner--but it's okay to quite literally piss all over it |
Tuesday, February 21, 2017
City of Spectacle: Some Views of Today's Carnevale
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| A costume's wig and hat takes it place among the city's monuments |
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| The Marie of Carnevale brave the weather in an open boat |
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| Though the fog makes it seem their destination must be otherworldly, they ended up heading down the Grand Canal |
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| Spectacle upon spectacle: the costume competition on the main stage in Piazza San Marco |
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| A group of costume competition contestants wait their turn upon the main stage |
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| A contestant with one of the hosts of the festivities |
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| Portrait in pink |
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| A contingent from--as you might guess from their costumes--England |
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| One of the inspired innovations of last year's Carnevale returns this year: artisans work at traditional Venetian crafts in workshop booths around the Piazza |
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| Far from the crowd in the Piazza, a spritz brightens up a gloomy mid-day along the Grand Canal |
Monday, February 20, 2017
Details, Details...
You must stand with your back against the wall of the neighboring building across a narrow calle to get this view (and have a wide angle lense), but it's a reminder that in spite of the good reasons for looking down in Venice--such as not stepping into a canal at the end of a dead end alley or into something left behind by one of the city's four-legged residents everywhere else--you may, like me, be frequently surprised by how much there is to see above your head in even the narrowest passages.
I won't identify this building in case anyone wants to guess.
Friday, February 17, 2017
Nocturne: The News and the Old
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| If left up long enough Christmas lights become Carnevale lights |
Among the nice things about Christmas in Venice is that seasonal decorations for it don't go up too early or stay up too long. Or at least they didn't use to.
Most local businesses and residents typically don't put up their Christmas lights and decorations until the Feast of the Annunciation (8 December) and they take them down after the Feast of the Epiphany (6 January).
This is a marked difference from America, where Christmas decorations seem to go up ever earlier and are prone to appear while kids are still eating their Halloween candy. Of course foreign-owned and foreign-influenced businesses tend to follow the American Christmas merchandising calendar. It seems the new duty-free mall at the foot of the Rialto in the historic Fondaco dei Tedeschi site had Christmas trees up before Venetians even had the chance to celebrate their big local holiday of the Festa della Salute on 21 November. But, then, that mall, as the CEO of DFS (the Hong Kong-based duty-free chain which occupies the Fondaco) admits, is oriented toward Asian tourists.
However, while the city's Christmas lights didn't go up any earlier than usual this year, they've been kept up far longer than before. All the way through Carnevale is the plan--in spite of questions about whether a city so lacking in funds should really be extending their big Christmas electrical bill.
As much as I may like Christmas decorations when they first start appearing in early December here, I'm happy to see them vanish after the Epiphany. For decorative traditions are one way that a community marks its shared sense of the passage of time, of seasons. One way in which a community orients itself in time. The new year--as opposed to the New Year holiday--really seems to get underway once those decorations have been taken down. After the lull of the holiday, during which activity seems to be both heightened and arrested, gives way once again to what seems more like the normal (and now newly welcome) flow of time.
At least that how it's seemed to me in previous years here. This year the city's leaders (marketers, may be a more accurate term) chose to sacrifice this traditional sense of communal time to--you guessed it--what they decided were the needs of the mass tourist spectacle that is Carnevale. So that the very same strands of public lights that may strike a visitor to Carnevale as festive and fun and spirited are, at least to me in my darker moods, yet another sign of a city whose actual (and faint) local life--like the life of its lagoon--has been abandoned by those whose primary responsibility should be to protect and strengthen it.
Wednesday, February 15, 2017
Dead End Venice: Two of My Favorites
There's so much advice available on visiting Venice that I rarely feel compelled to give any more. But I will suggest to any visitor who likes to walk that if you don't find the calle you're on abruptly ending in water at least three times a day you're probably spending too much time on the main thoroughfares.
Never mind Piazza San Marco and the Doges Palace and Salute, dead ends (as films like Don't Look Now and The Comfort of Strangers underline) are a quintessentially Venetian aesthetic experience--and those that involve a sottoportego (a passage way beneath a building), as in the images above and below, especially so.
In a city of famous views these sottoporteghi act as the perfect frames, enclosing a representative fragment of the whole: glassy green water, brick, stone architectural elements, and the effects of time, all on an intimate, domestic scale. It's close as you'll find--when the light is just right--to a bit of Vermeer in Venice.
Monday, February 13, 2017
Carnevale Is Launched in the Light of Day
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| Some of the color of the water parade, with the recently renovated Ca' Da Mosto in the background, second from left |
For images from previous years: http://veneziablog.blogspot.it/2016/01/carnevale-opens-with-venetian-air.html
http://veneziablog.blogspot.it/2014/02/carnevale-parade-of-boats.html
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| The customary giant floating rat leads the parade photo credit: Sandro |
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| An acquatic menagerie headed the corteo |
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| The city's bookish Lion marked the boat carrying the mayor |
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| Clad in a 19th-century-style black hat and cape Mayor Brugnaro looked to be reprising his role as Ebenezer "Are there no prisons for the poor?!" Scrooge, which he debuted just a few days before last Christmas with his idea of creating a "citadel" in which to sequester the destitute |
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| Any familiarity with how Venice is run might easily have lead one to assume this Mickey Mouse crew to be the city administration but, in fact, the mayor had already passed |
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| A bit of tango on the Grand Canal |
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| A wide view of the parade of boats as it reaches Ca' D'Oro photo credit: Jen |
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