Through A (Plexi)Glass, Darkly

12 February 2014

I'd forgotten entirely about the above image, taken from the twin pontile of the one you see in the right corner of the image, while I waited for the #1 line vaporetto to take me in the direction of the Lido. (You can see a bit of a reflection from the glass through which I took it on the center of the bridge and other places.)

I never seem to have the time to describe the sense of, for lack of a better word, domesticity, that one eventually comes to feel after living in Venice for a long time. Constructed as it has been over many centuries, with not an inch that was not formed by human hands, everywhere one goes in the city eventually begins to feel lived-in, like a home. But a home with an infinite number of details to discover, tones and traces of innumerable lives not one's own, and nothing like one's own, as well as those still managing somehow to make their lives there, in spite of a mayor and a broader social and economic context that can see Venice and its lagoon only in terms of quick profits and resources to be exploited unto literal collapse.

But this image brings that all back to me, and some time in the future I might get around to writing more about that, and how it extends even out into the lagoon, if one has one's own boat. 

Contrary to the age-old banalities spewed by foreign visitors about Venice being a city of melancholy and death, to live in Venice, and to raise a child there, is to be struck by the unique kind of life possible in the city and the lagoon--life like no place else on earth. I wish more people, and more children, could experience it, before it is obliterated. Only if more people were actually resident there might it stand a chance to avoid obliteration.