Andrea Frank & David Rickard at Galleria Michaela Rizzo

Sandro encounters "Internal Resistance" (an installation by David Rickard)

Located just a short distance from Campo San Maurizio, Galleria Michaela Rizzo is always worth a visit, especially from now until March 17 when it is hosting an exhibition of work by the German-born American-based artist Andrea Frank and the New Zealand-born London-based artist David Rickard.

"Untitled (Singapore)" 2007, courtesy of the artist

Frank's newest works in her Systems exhibition consider the way in which we are educated about our world. Her grids of taxidermy birds, glass botanical models, and entomological bee specimens suggest a knowledge divorced from the vital and inter-dependent systems and processes of our living world. A form of knowledge or a way of learning about the world in which the kind of extinction of species now going on around the world is, one might say, almost eerily foreshadowed.

These new works are the logical extension of her recent Ports and Ships project, also on display: photos of the behemoth cargo ships and city-like ports of a global economy of consumption operating at levels beyond the system limits of our natural world.

"Propane Dream"

The sculptures of David Rickard's Displacments challenge our usual sense of space and mass. In "Propane Dream" heavy gas cannisters of all sizes take on the airiness, the insubstantiality of their contents. Elsewhere, a large rectangular grid of small holes drilled neatly into the gallery wall casts a correspondingly-sized rectangle upon the nearby floor, composed entirely of the dust from the drilling and looking very much like a plane of sunlight through a window. In both works, the drilled holes suggest the material form that our (or at least my) conception of the immaterial, the atomic world take.

In "Internal Resistance", pictured at the top of this post, invisible forces all around us (such as gravity) seem to be given shape in a room-wide installation that both imposes itself upon our movements and vibrates systemically to our slightest touch. 

A brief video containing interviews (in English) with the two artists and an overview of the show may be found at the Galleria Michaela Rizzo website: http://www.galleriamichelarizzo.net/

And here are the websites of the two artists:
http://www.andreafrank.net/index.html
http://www.david-rickard.net/home.html

Systems and Displacements at Galleria Michaela Rizzo (photo credit: Andrea Frank)

Foggy Sunset in Sant' Elena Tonight--and a Thank You

 "Asked what may be the leading color in the Venetian concert, we should inveterately say Pink..."
                 --Henry James, Italian Hours

I would like to thank Yvonne, the wonderful blogger at Hello World (http://ytaba36.wordpress.com/) for listing me as among her favorite Venice blogs. If you don't by chance know Yvonne's blog it is worth checking out, as she is one of those bloggers on whom--to quote Henry James again--"nothing is lost." From fritelle to feast days, graffiti to palazzi to pissotte, she seems to notice or track down everything of interest in this city of overwhelming interest.

Having been cited by Yvonne, it's now my turn to list five of my own favorite blogs. I can't pretend to read as many blogs as I'd like to, and I will of course leave out far more great blogs than I can list, but here are some that I like (in no particular order):

Churches in Venice is my go-to blog when I stumble across--or into--one of the many many churches in this city and want to learn more about it. Its author, Annie, combines reliable knowledge, a keen eye, and a distinctive take on every church she writes about.  http://www.slowtrav.com/blog/annienc/

Written by a native Venetian, Alloggi Barbaria Blog is another of those blogs where I learn something new--or many things new--with every visit.
http://alloggibarbaria.blogspot.com/

AAA Accademia Affamati Affannati is a blog I just happened upon, which offers not only a consistently fascinating array of images of and insight into the city, but recipes as well.
http://aaaaccademiaaffamatiaffannati.blogspot.com/

 Venessia nei arcani offers magical views into this most magical of cities. http://venessiarcana.blogspot.com/

When we were thinking of moving to Venice The Venice Experience--a blog written by an American about her own experiences settling into the city--was of obvious interest to us, and so it remains. http://theveniceexperience.blogspot.com/

The blog of Libreria Marco Polo keeps me in touch with my favorite bookshop in the city when I'm not able to get there in person: http://www.libreriamarcopolo.com/

And though I've already exceeded five, I can't help listing one other blog about the city we moved here from. A huge city whose continued survival as anything more than simply a Disney World of conspicuous consumption is, like Venice, in serious doubt: http://vanishingnewyork.blogspot.com/

Long Time No See: San Simeone Piccolo This Morning

If I remember correctly it was supposed to have been Napoleon who upon his first view of San Simeone Piccolo quipped, "I've seen churches without domes before, but never a dome without a church."

I think the scaffolding was up around the front of this church for so long that it would have been fairly easy to imagine--or hope--that they were finally getting around to building a church more in keeping with the scale of the dome. No such luck, but it's nice to see the church's old odd proportions revealed once more (even if they do make the dome appear, as always, rather unpleasantly pustular), and to have one less giant billboard on the Grand Canal.

Lido in Winter: Long Walk, Short Pier

The Lido is a marvelous place to walk in the winter--though recently it's been so relatively mild and sunny here that the seaside isn't as deserted as one might hope.

It is here on Lido, at the end of the Gran Viale, that you can ponder the question of whether a pier that does not extend into water should be called a pier at all. Not even at high tide does the structure pictured above come in contact with the sea.

Perhaps it was simply intended as an observation deck, you might think.

No, my friend who has lived here for all of his 70 years (and oversaw much of the construction in Venice for many years) assures me that it was meant to be a real pier. But the comune ran out of money before it was finished. And so you have a pier that is not really a pier--or at least not enough of one--and a lasting monument, my friend suggests, to the competence of the city's government.

Teatro Marinoni on Lido: An Introduction

The "introduction" I refer to in the title of this post was my own, as I'm sure some of you reading this already know Teatro Marinoni, and know it better than I do. But hand-printed flyers that I noticed recently appearing around the city suggested that even a lot of native Venetians knew little or maybe nothing about it--and invited them to pay a visit to the place and find out more for themselves.

The official introduction provided by the city of Venice (if it were to provide any introduction at all) would state that Teatro Marinoni is one of many abandoned derelict buildings in the Ospedale al Mare complex near the northeastern end of Lido that was sold in 2010 for 94 million euro to the same company that bought the famous Hotel des Bains (and is in the process of converting it into luxury condos).

What the city would not tell you is that Teatro Marinoni was designated as a gift to the residents of Venice by the man who built it, Mario Marinoni, and as such--argue a growing group of residents--cannot be sold to private developers without violating the terms of Dr Marinoni's bequest.

A detail from Giuseppe Cherubini's ceiling fresco

This group of residents, some of whom have taken to occupying (or "squatting") in the theater, would like to see the theater reborn as the public community cultural space it was originally intended and used as. In fact, they have already began holding cultural events in the space.

As more and more people have began to realize, the immediate peril facing Venice is not environmental or architectural, but demographic and sociological. (See The Venice Report: Demography, Tourism, Financing & Change of Use of Buildings, Cambridge University Press; or Veniceland Atlantis: The Bleak Future of the World's Favorite City by Robert L France: http://www.libripublishing.co.uk/veniceland/index.html).

A recent headline in the local paper announced that the population of the lagoon has now dropped below 59,000 for the first time. The architecture and art of Venice may survive, but is a city without actual residents a city at all? Whatever jobs may eventually become available in the Hotel des Bains luxury condo site will not pay enough for the workers to reside in the lagoon. Nor will any similar luxury development of the Ospedale al Mare complex. As the ex-Thatcherite John Gray pointed out in his 1998 book False Dawn, untrammeled free markets (of the sort that now determines policy in Venice) have consistently undermined the very social institutions--family, career, community--they purport to value.

In any case, that is more than enough for an introduction. For more information I refer you to the website:

http://teatromarinoni.org/

And to some few pictures of the theater, present and past, below. I'll try to get more information on this group and its project soon.

The rear of the house and its balcony

Another detail from Cherubini's 1920s fresco: Neptune as a beach bum

The theater building during its heyday in the 1920s

Cinema paradiso perduto: the theater's small metal projection room

Above the theater are a couple floors of rooms that could use a little TLC

Last Glimpse of La Befana This Year

photo credit: Jen

I'm surprised that La Befana is still hanging around five days after the Feast of the Epiphany but here's photographic proof, taken this afternoon.

photo credit: Jen

San Lazzaro degli Armeni, This Evening